Cheryl woke up this morning with a song repeating in her head. As usual, she sings the song aloud. From that point, the song moves into both our heads, and we find ourselves humming, singing, or whistling the tune all day—much like a an advertising jingle or chorus of a pop tune.

Today’s song was “Sixteen Tons” by Tennessee Ernie Ford. It became his signature hit, inspired by the travails of real-life coal miners in Kentucky. Although the song was written by Merle Travis in 1947, it didn’t become popular until Tennessee Ernie’s deep-voiced version of 1956.

Mining family – 1950s

Despite the age of the song, we find the story relevant today, some 70 years later. The tale is about the plight of the working man, becoming dependent on the “company-owned store” to support their families. Although it was a bargain struck out of necessity, it was a desperately sad realization that survival depended on humbly accepting terms that someone else offered, an intentional indebtedness to those in power.

We often recite a line from The Declaration of Independence, “. . . that all men are created equal . . . endowed by their Creator. . . ” Alas, we are still working on that idea/ideal. But hey, it’s only been 250 years. It takes some time.

Following is Ernie Ford’s version of his signature song. It’s worth a listen. What comes through is his honest sympathy for those working people who simply want to claim their independence, while taking responsibility.

Although few, if any of us would say: “I owe my soul to the company store,” that line becomes the heartbreaking message of the song. The absolute dread that Ford delivers in the line,”I owe my soul,” which is repeated 4 times, underscores the solemnity of the message.  Ernie Ford delivers the phrase as if he could cry. Then, finally (in the video version) he looks up, pleading, while increasing the volume of his booming voice, seeking relief. When he glances downward at the end of the song, he humbly accepts his plight, as though he becomes the very downtrodden worker he sings about.

What a  storyteller.

Lyrics

Some people say a man is made out of mud
A poor man’s made out of muscle and blood
Muscle and blood and skin and bones
A mind that’s weak and a back that’s strong
You load sixteen tons, what do you get?
Another day older and deeper in debt
Saint Peter, don’t you call me, ’cause I can’t go
I owe my soul to the company store
I was born one mornin’ when the sun didn’t shine
I picked up my shovel and I walked to the mine
I loaded sixteen tons of number 9 coal
And the straw boss said, “Well a-bless my soul!”
You load sixteen tons, what do you get?
Another day older and deeper in debt
Saint Peter, don’t you call me, ’cause I can’t go
I owe my soul to the company store
I was born one mornin’, it was drizzlin’ rain
Fightin’ and trouble are my middle name
I was raised in the canebrake by an old mama lion
Can’t no high-toned woman make me walk the line
You load sixteen tons, what do you get?
Another day older and deeper in debt
Saint Peter, don’t you call me, ’cause I can’t go
I owe my soul to the company store
If you see me comin’ better step aside
A lot of men didn’t, a lot of men died
One fist of iron, the other of steel
If the right one don’t getcha, then the left one will
You load sixteen tons, what do you get?
Another day older and deeper in debt
Saint Peter, don’t you call me, ’cause I can’t go
I owe my soul to the company store
————————————————

Source: Musixmatch -YouTube
Songwriter: Merle Travis
Sixteen Tons lyrics © Unichappell Music Inc.,
      Campbell Connelly And Co. Ltd., Merle’s Girls Music.
Elvis Presley Music Inc.
Images – Canva AI

Become the Observer. See the world, your world, through the eyes of a Witness.

Observe intently

We are given a new opportunity, a new perspective, when we free ourselves from the trappings of the mind. Without subjective thoughts, steeped in  trauma, drama, emotion and earthly logic, we can become a neutral bystander—participating in whatever activity is at hand, but simultaneously watching ourselves in the context of life events. We become free to acknowledge a hushed voice—perhaps the Soul, longing to be heard. We may sense subtle flutters of Inner Wisdom, Tiny Feathers drifting gently into consciousness. Earthly burdens of expectations release and detach. Relaxation settles over us. Simultaneously we feel an exhilarating freedom.

LaVerna Monastery

Sacred sounds, ageless chants have been used for centuries to shift focus from the ordinary, the everyday into a sense of awe and wonder. Spiritual beings throughout history have denied the corporeal world in search of deeper faith, wisdom and meaning. There have been curious stories about the presence of a brilliant white light that people seem to encounter when death approaches. We’ve watched cloaked monks process in a rhythmic sway, singing deep, resonating sounds that fill spacious stone cathedrals with a life-changing reverberation.

Floating and Swirling

Those wordless tones—the sacred sound of Om (AUM—ah-oo-mm), emanating from the “heart space” invoke spirit. To be “inspired” means to be infused with spirit. Breathe in, breathe out. The entire body becomes transformed. This is our hope—to soar, to invite momentary glimpses of Tiny Feathers, Inner Wisdom, that enticingly float and swirl just beyond everyday awareness.

Music – Tiny Feathers

Lyrics

Floating weightlessly behind my eyelids

Drifting ever-slowly toward my beating heart

Tiny feathers of a fleeting thought

Slipping calmly into rhythmic breathing

Matching beat for beat with my sacred heart

 

Floating weightlessly behind my eyelids

Drifting ever-slowly toward my beating heart

Tiny feathers, soft hints

What my Soul dares to dream

Dedication

This story and music are dedicated to Those who continually nudge us further and further into our sacred heart space

Credits

From album – Hold to the Heart
Track released – June 1, 2022
Cheryl Martlage – Lyrics, Vocals and Production
Emerson Martlage – Music, Vocals and Production
Feather Image – Custom Generated by Gemini AI

Related Stories and Music

Eye Witness

We were reading a number of books about consciousness, among them were several by Ken Wilbur: “Boomeritis,” and “A Brief History of Everything,” as well as another book called “What Really Matters.” We also read (after having seen the movie) “What the Bleep Do We Know,” which led us to discover “Ramtha: the White Book” . . .

Each Cell

Following a visit to Madonna del Sasso Monastery near Santa Brigida, in Tuscany, we wrote this song. We had walked for about an hour up the steep, rocky trail between the monastery and town to reach that sacred site with unbelievable views into the Val d’Inferno. We could see our studio off in the distance, and the Castle Trebbio, down below . . .

Hope. The very word implies an intention for a future. When hope is shared among and with others it becomes even more potent. The simple act of holding hope has helped us through some tough times. It’s such a powerful idea that we wove it into the lyrics of our song and story called Circle of Trust.We often hear about acts of kindness, when people experience empathy for another and “hold space” or allow a safe, non-judgmental listening. Compassion and trust create a unique “micro” environment. A gathering of such like-minded folks, harnesses an energetic force that just might change the world. Especially in these times of division and uncertainty, we can choose to be holders of hope in a circle of trust.

(more…)

While going through some old files recently, we came across a story that had long been tucked away. In 2008, Cheryl wrote an original story,  the “Big Green Chair.” It is a memory of her kindergarten year, so circa 1956. She was tasked with taking care of herself while her parents juggled work and family needs. Alone for countless hours each weekday, she filled the time with creative imaginings, reading the encyclopedia, and generally entertaining herself. She developed a  child’s sense of humor, while pretending and observing her surroundings, as well as exploring her inner world. The result was that she became self-sufficient, maybe even too much so at such a tender age. Following is that story exactly as she recounted those solitary days as a little girl on Burton Road in Middletown Ohio.

The Original Story

I was a “latchkey” kid before the phrase was coined, but with one important difference: I was never alone. My mom folded boxes at the local corrugated paper company. Because she wanted to be home with the family in the evenings and to see us off to school each morning, she opted for the night shift. In the mornings, after bowls of oatmeal, and lunches were packed, she faithfully stood at the door and we went on our way.

Each day I’d return home around mid-day. The school bus driver had Mom’s strict orders to watch me until I passed through our front door.  Once inside, I locked the door and stood silently, listening for the familiar sound of my mother’s soft and steady breathing. She was a “gentle” sleeper and it was nice to know she was there.

At times I watched cartoons, without sound, to be quiet. Sometimes I lay upside-down in my huge chair and extended my legs upward and pretended to walk on the ceiling, defying gravity. Other times I looked at pictures in the encyclopedia. Still other times, I napped, tuckered out from a hard morning at school.

Later, when my dad came home from the City Water Works, the house would buzz with noise and chatter. But in the meantime, many hours were whiled away in that chair, a giant gentle hand that held me when everyone was away.  There, nestled in the warmth of my big green chair, I learned about the world and about myself. Within the silence of my own thoughts I grew up imagining that anything was possible.

Written from memory, 1-30-08

You can also visit the our musical story page here, which was written and first published some months later in 2008.

Music

Audio Player

Lyrics

Half a day is passed at school
Then I’m home by noon, it’s time to play

Mama worked hard yesterday
Now she’s sleeping late
So I won’t make a sound

I’ll grab a bite to eat
Prop up both my feet
Settle back into the big green chair

After lunch I read a book
Switch on TV to look
Cartoons fill the screen

Throw my legs upon the back
Swing my hair this way and that
Now my whole world is turned upside down

Without a single care
You could always find me there
Nestled deep into my big green chair

I notice that I’m wearing mismatched socks
Volume D has pictures of each different kind of dog
My purple Kool-Aid stain moustache is finally wearing off
What a shame

Now it’s getting close to four
Soon bursting through the door
My brother comes in

With my sister close behind
They both laugh to find me there
Kind of dozing in my big green chair

Then Mama’s at the stove
And Daddy has just come home
Glad to see them, I jump from my green chair
All together we’re finally
Home again

Credits

From After All, track released September 1, 2008
Cheryl Martlage – Lyrics, vocals and production
Emerson Martlage – Music, guitar, vocals and production
Mr Toad’s San Francisco – Mastering
The Tibbs Family – Inspiration
Images – Gemini

This quote is from the Lyrics of the musical story called Follow the Leader.” We all participate in the spectacle of the showman at one time or another whether we know it or not—for good or sometimes not.  Just click the link above and you’ll be whisked away to the original story, music, lyrics and more.

Follow the Leader