These are stories about those places that are noteworthy either as public attractions, or perhaps even quiet personal places that make a difference in people’s lives. They are the places that give us energy, sustenance and reflective moments that help us to live richer lives.

Laurie on Stage

More than a decade has passed. We find ourselves drawn once again to this “delusional” bedtime story, woven by the master storyteller, Laurie Anderson.

On a Saturday night 12 years ago, we witnessed a spectacular performance. At the EX3 Theater of Contemporary Arts across the Arno River in Florence Italy, Laurie Anderson mesmerized the audience with a one-woman show. An incredibly creative and energetic performing artist, singer, musician, inventor and philosopher, she did not disappoint! “Normal” instruments weren’t enough to express her dream-state thoughts and feelings. So, she invented one: an electronic violin that uses special magnetic tape on the bow instead of horsehair and space-age pick-ups that make the violin wail like a wild cat. Laurie’s philosophy is expressed weaving diverse fragments of life into a political-personal-psychological-fairy tale performance. Her style is unique and we’ve never experienced anything quite like it.

Florence/Firenze

Following is the excerpt from a local newspaper, “The Florentine,” November 2010, which described her anticipated performance: “Delusion” is an eclectic multimedia show that brings together various forms of media, including video, music, monologues, and electronic puppets and violins. The show, which made its premier last February at the Vancouver Olympic Games, is conceived as a series of short mystery plays featuring elves and golems, nuns and dead relatives, fantastical unmanned ships and dark, scary forests. Through a series of altered voices and imaginary guests, Laurie Anderson’s colourful and poetic language in “Delusion” is a reflection on words and things, life and language. “Delusion,” a story of longing, memory and identity, makes its Italian premier in Florence, as part of Ex3’s New Musical Events.

Art Like Great Wine?

She has described her art as “of the moment,” and says that it doesn’t really keep well over time. While her many videos create a chronicle of her performances throughout the years, they don’t quite tell a full story.

We arrived early, as usual, to claim third row seats. From 8:30 pm, when the doors opened, people slowly wandered into the theater. In true Italian style, they chatted in the aisles, gesturing to animate their conversations. The l’ora accademia, (the academic hour) prevailed, which is customary in Italy. Performances and lectures begin a fashionable 15 minutes later than scheduled. At 9:30 pm the theater lights flickered to indicate the beginning of the show. Some obstinate folks continued to linger, ultimately fumbling their way to their seats in the dark.

Stage screen

A full-projection screen covered the back part of the stage, while two smaller screens flanked each side, strategically angled.  The 10 x 10 screen to the left resembled a giant blank hallmark card. The other flanking screen to the right appeared to be a security fence hidden beneath a white nubby tablecloth, casually  thrown over it at the last minute. A keyboard stood just right of center with Laurie’s strange electronic violin hanging precariously on a side hook. Then front and center, was a loosely covered sofa of sorts—the form looked a bit like spontaneously draped Halloween wax lips. Finally, completing the scene was a small platform toward the back of the stage.

The show began a full hour before Laurie appeared onstage, with a projector casting black and white oscillating pop-art images onto the couch—like a lava lamp without the liquid. It was undulating, almost nauseating. Despite having motion sickness, we were intrigued. Laurie finally emerged from the shadows wearing an untucked crisp white shirt, an artsy tie (loosely knotted under the collar), and black knit capris. As a final touch, she wore the cutest little sparkling Mary-Jane shoes with translucent soles.

Laurie’s violin

Laurie quietly floated her way to the keyboard. With a dreamy look on her face, she began playing several repeated chords while talking—and so the narrative unfolded. For 90 minutes, she wove stories, reading from her computer screen or paper notes, delicately pressing buttons on floor controls with her feet, while frequently launching into musical tirades with her vio-lectro-lin. With the latest technology, she made the sound of her voice alternate between ethereal, almost angelic and Darth Vader-like menacing tones. Several times she sang—her voice sounding like a strange other-worldy visitation. As she spoke, sang, read or played music, there were thousands of wild images flashing onto the 3 screens: scribbles on chalkboards, rain, blowing leaves, and other random dream-scapes.

Overall, it was an amazing, wonderfully thought-provoking evening. She was flawless and nothing short of masterful. With all the diverse ideas presented, as well as the sensory bombardment, we were exhausted by the end of performance. On the drive home, we wondered, “What does it all mean?” It was a performance that needed some mulling over. The pondering continues to this day—perhaps for the rest of our lives.?

We agree that her art is especially tasty “in the moment,” but find her message actually ages quite well—timeless, like a fine wine, better with every passing year.

What an incredible bedtime story!

Credits

Feature image above: courtesy of sfjazz.org
Video courtesy of YouTube
Cover of the Florentine courtesy of theflorentine.net
Laurie’s violin photo courtesy of Derrick Belcham
Story courtesy of our long-term memories

Related Music

“Nighty-Night Rosie June”—Another kind of bedtime story designed to take you into peaceful slumber rather than calling forth your most complex nighttime illusions/delusions:

 

 

“How much is that doggie in the window
The one with the waggly tail
How much is that doggie in the window
I do hope that doggie’s for sale”

Patti Page popularized the novelty song, “(How much is) That Doggie in the Window?” in 1952, when we had each achieved the magical age of 1. The answers to those questions were clear for us even as children and became underscored as the years went on. Here are the questions, followed by our answers: “How much?”—”priceless” and “For Sale?”—”not a chance.”

Doggie in a bag

If you want to have some fun, put a dog in a carry bag (preferably a small dog) and take it everywhere you go. Doing this in Italy resulted in our pooches becoming our “doggies in the window,” attracting the attention of many passers-by. We began with our dearly departed Izzy-B. Her name was Isabel, but Italians knew her as “Ee-sah-bella.” She was a real sweetheart who graciously allowed us to carry her everywhere—the grocery store, restaurants, running errands—the destination made no difference to her. She never uttered one complaint or showed a lack of enthusiasm. She seemed to bask in the attention of all the friendly folks who greeted her.

After 2 years without a doxie, we adopted her successor Sara, pronounced “Sah-dah” in Italian. We’ve had strangers scheming to sneak her into forbidden places, while others have screamed with glee as they take her little face into both hands to smooch her loudly. Most people can’t resist feeding her tiny treats they carry in their pockets, and we’ve even had her magical power give us direction and grant special favors. Following is just one silly example of the antics:

Doggie in the window

Em needed a haircut in Italy. He’d seen a barber shop in the nearby town of Caldine, just across from the local grocery store. It looked promising, so he thought he’d give it a try. One day, while Cheryl was at the market, he walked over for a trim. As usual, Sara was tucked into her carry-bag and barely visible. The barber spun around to offer Em a seat in the barber’s chair. Suddenly, he saw Sara peeking from under Em’s arm. Barber Giovanni is an avid dog lover and was fine with Em keeping Sara on his lap during the haircut—he simply let the barber’s cape drift slowly down over both of them. Another man entered the shop and Giovanni insisted on giving him a peek at Sara. He carefully lifted the hem of the cape to present a napping doggie. Everyone laughed at the silly sight. Sara glanced up momentarily and then fell back asleep.

Sara: doggie dis-covered

After the long pandemic travel drought, we finally returned to Italy some 2 years later. Although he’d had a few haircuts stateside, Em really liked Giovanni’s technique so he returned to the shop for another trim. As Em entered the barber shop, Giovanni paused over his seated customer. Holding his comb and scissors in mid-air, he greeted Em, “Hello, hello, how’s Sara?”(“Ciao, ciao, come sta Sah-dah?”) Em quickly realized that Giovanni didn’t remember his name—just Sara’s. Em replied that she was waiting in the car with Cheryl, but offered to retrieve her. When they returned, the finished customer stood to leave and Giovanni gestured for Em to be seated. Em placed Sara on his lap just like before, anticipating the same fluttering barber’s cape. Giovanni whooshed the large white bib up and out, then waited for it to settle over them. This time, to Em and Sara’s surprise, there was a new feature in the large cape. A clear window had been sewn into the front of it, seemingly custom-made for a furry friend. Sara was completely visible, giving everyone a hearty chuckle as she peered out through the plastic window (finestra di plastica), a bit puzzled and curious. It may have taken her a few extra seconds to fall asleep. Giovanni explained that the cape-windows are intended for cell phone use. However, we agreed that a dedicated dog-window is much more important and a lot more fun!

So, we return to the original question: “How much is that doggie in the (modified cape) window?”—still “priceless.” We wouldn’t trade our little fur baby for all of Italy, or the entire world for that matter! Our theory was supported yet again: some furry fun is always guaranteed when a dog is in tow.

Related Stories and Music

Puppy Love

Simone and Alessia arrived around mezzogiorno, noon the other day for lunch with us in the country. The sun was bright and the air was clear with that unmistakable fall crispness. We hadn’t seen them for over a year, so it was especially fun for us to have that time together to sit and talk . . .

Simple Pleasures

Sometimes Mondays are all about Tuesday.

What?! Are you confused? Don’t be. Tuesday is the name of our daughter’s chocolate lab. No, Iris does not work in research at Hershey headquarters in Pennsylvania. No, she didn’t adopt her sweet puppy on a Tuesday afternoon, but we do celebrate Tuesdays as double days.

Palazzo in Firenze

Once upon a time, in a magnificent palazzo in the center of Firenze (Florence) Italy, lived Beatrice Portinari with her adoring family. They spent their summers and weekends in the cool Florentine hills in her family’s serene villa—the quiet and lush Tuscan countryside unfolding just beyond the city. Italy, in 1275, was on the cusp of the Italian Renaissance, poised to leave medieval times behind.

Tuscan hills at Villa

“Bice,” celebrated her 8th birthday with a lavish party at her country villa. There she met young Dante Alighieri for the first time. The 9 year-old-boy found himself speechless—love at first sight. More than just smitten with her beauty, he sensed something deeper. Her presence seemed to exude a spiritual quality, an aura of perfection. Had Dante seen an angel? Perhaps. Would his life ever be the same? No.

Dante Alighieri

Dante also lived in Firenze, but his family had a country villa, as well. In fact, his country home was just a ten-minute walk from Beatrice‘s place. Even though they shared a geographically small world, they only encountered one another a few times in their lives. Sadly, Bice died at the age of 24, but her influence remained a constant companion in both Dante‘s writing and in his dreams—she was his muse and inspiration.

Likeness of Beatrice

Dante‘s book La Vita Nuova was written about his love for Beatrice. His adoration was neither physical nor earthly, but was rather an ethereal, aspirational, platonic or even agape love that inspired his journey toward enlightenment. In Dante’s La Davina Commedia (The Divine Comedy), Beatrice appeared as a guide to lead him into Heaven. While Dante could only approach Heaven, Beatrice took her seat next to God, as an amazing divine spirit—truly other-worldly.

We imagine our “Best Self” as a modest reflection of Heaven’s perfection. In order to move toward our “Heavenly Best,” don’t we all need a muse—someone who inspires, guides and leads us to our highest possibility? How romantic a thought, to be smitten by an earthly presence who shows us a way that we could otherwise never even imagine. For us, the story of Dante and Beatrice presents a powerful, idealistic yet tangible image—a vision to help us navigate this Life on Earth and beyond.

Credits

Featured image above: Dante encounters Beatrice in the historic center of Florence, Italy C1285—this painting is dated 1883 by the artist Henry Holiday, on display in the Walker Art Gallery in Liverpool, England.

Dante: Painting by Attilio Roncaldier 1801-1884, Ravenna, Museo Dantesco.

Beatrice: Painting by Washington Allston 1819, The Museum of Fine Arts, Boston.

Related Stories and Music

Winter’s End
This musical story and lyrics were written by Cheryl, alone in Tuscany on a cold winter dusk as she gazed out the window toward the beautiful Villa Portinari. Following are her poetic musings put to music. 

Beatrice’s Ghost
This music was spontaneously written and recorded in our Tuscan cantina by Joshua Housh in 2009—inspired by the mystery of the nearby historic villas of Beatrice and Dante.

If you have a great life, but still sense a longing for something more; if you ever considered acting on your special dream that has waited patiently for what seems like an entire lifetime; or if you’ve ever tried to create, or even change a long-term relationship, this book may be for you.

The title is Time to Partner—Relationship Changed Through Dreams, Intuition, Trust and Courage.

The story of our journey into a new way to partner together is now available thanks to the wonderful capabilities of Apple Books. Originally, we documented our process of personal change by writing the story and then binding the books by hand—creating only 27 copies. That was over 20 years ago. However, more recently, technology has opened doors to other possibilities.

The entire book has been transformed into a digital format, exactly like the original (amazingly close, except for a few improvements). The new version includes stories, art, poetry, quotes and 14 original songs. In the book we share the details of the first four years of our partnered journey, openly disclosing the dissatisfaction, risk, creative spark, intuition, dream and magic exactly as it happened. Now, our hope of sharing it with a broader group has become a reality. As we pass the 50-year mark in our relationship, we think it is a good time to reissue the digital story.

Join us on our adventure

You can easily get the e-book with just a few clicks. However, the app is only available at the App Store for iPhone, iPad, and Apple Watch. Simply go to Apple Books and search for Time to Partner—download for free and you’re ready to start reading, viewing and listening.

Below is a short video called Accidental Authors, we made as a way to introduce the book. Check it out to discover something that might spark your own insights and inspirations. Also, feel free to share the link with any friends you think could be interested. Basically, we’re inviting you to take Time to Partner!

Cheryl and Emerson

Accidental Authors (Trailer)

Uncommon Promise (Music)

An “uncommon promise” became extremely important to us in the early years of our relationship. We knew we had to become impeccable with our word, and open and honest like never before. It was then, that we decided to use “Uncommon Promise” as the name for all of the art, music and stories we were creating together. Then, we decided to write our feelings of recommitment into a new song so we could capture that feeling and sincerity for all times. At that moment, we envisioned our journey into a stronger relationship like trying to discover an unimaginably beautiful Pearl. We haven’t yet uncovered everything we’ve been searching for, but remain committed to the quest.

 

Summers’ submittal

On a beautiful morning, July 1st, 1849 Dr. John Edward Summers, an Army physician was on duty at the Mission of San Diego de Alcalá. His task was to record the weather conditions at the post. So he followed orders, even though they were out of the ordinary, and submitted his findings to Washington. In doing so, he became the first official “weather observer” in what was to be the city of San Diego, California—in the United States of America. That simple action began a maritime tradition that would continue on into the future.

Urban Lighthouses

Fast forward 155 years to 2004. The beautiful city of San Diego had grown and changed dramatically. The twin residential towers called “Grande North and South” on Pacific Highway neared completion with a surprise in store. Artist, Spencer Finch, was diligently designing a special project for the apex of the architectural masterpieces. His vision harkened back through time to Dr. Summers, his fateful orders and the ongoing seafaring tradition of reporting the weather. The Grande sculpture became a modern-day “lighthouse,”  with a dramatic effect, visible for miles around.

Watercolors of the sky

In his own words, Finch described his inspiration and intention: “My vision was to create watercolors of the skies that would become a project of light and shadow in the sky at an enormous scale, thereby making the connection between the picture, the idea and the weather forecast.” His creation would tie directly to weather data, giving immediacy and accuracy to his ever-changing climate-predicting message.

Sunny skies tomorrow

To this day, beacons of light announce the upcoming weather. A plaque on a column at the Grande Towers bears the 2000 year-old saying: Red skies at night, sailors’ delight. Gray skies at morning, sailors take warning. Every evening the massive lanterns mimic the layered Pacific skies—with either an orange/red mesmerizing glow like a California sunset, (signaling yet another clear day of delight) or, both towers become a moody gray/blue/violet (if rain is in the forecast). A passing glance at the colors, orange or blue, communicates tomorrow’s prediction. Reporting the weather has never been easier or more straightforward.

Whether you’re an art aficionado, a weather enthusiast, or just wonder if you’re going to need an umbrella, you’ll love Spencer Finch’s Grande idea.

 

Related Story and Music

Still Water

Still Water.

Discovering the Grande Towers and their maritime tradition, we were taken back to a storied time of our own when we battled “Will against will, with the sea.” Fifteen years ago seems like yesterday with fond and vivid memories for sure. We had decided to go on a week long sailing trip to Croatia with friends. It was unlike us, certainly not our normal routine, but we approached it as an opportunity—a very different kind of “workshop” that would certainly teach us something important about ourselves, since it would be so different than anything we had ever done or known. It did exactly that! [. . .]

Coffee is an integral part of Italian culture.

Intreccio

Every morning begins with an espresso, a cappuccino, or a caffè macchiato (an espresso, stained with milk). A fresh pasta, pastry, typically accompanies the coffee. Just those two simple ingredients constitute collazione, breakfast. There are coffee bars in almost every town, even tiny burgs where there are few, if any other shops. We’ve enjoyed the simple ambience of many and how they must compete for the loyalty of locals. Now that the Tokyo olympic games are over, we thought it would be fun to conduct our own little competition for the best Tuscan coffee bar this season!

The criteria for judging this play-off has been established as follows:

(1) best espresso—duhh?

(2) friendliest barrista/staff 

(3) yummiest pastries—whether made in the back room kitchen or brought in daily from a nearby pasticceria, pastry bakery

Sara waiting to go for coffee

(4) best dog treats (Our ever-present doxy, Sara insisted.)

And since we’re reasonably sure that we’ve visited just about every bar in Tuscany at least once for the past two decades, we consider ourselves “expat-experts” of sorts.  

Three outstanding bars made it to the last round of the competition after extensive discussion and debate. The finalists are: 

Bar Cesare in Florence, definitely excels with its in-house pasticceria. Their sfoglia con ricotta, crispy-layered pastry with sweetened cheese, are so delicious that it jostles memories of the famous cartoon dog who floated mid-air with delight when he was given a dog treat. But alas, Bar Cesare offers absolutely NO dog treats. Sara gave it a “dew claw down” (the doggie version of a thumbs down). In fact, the owners, staff and patrons pay very little attention to Sara. Too bad guys! 

Cafe Lorenzo, (which we have written about before) is located in Pian di Mugnone. Great ambience, yummy pastries (made fresh every day on site) and macchiati—so good that we had to restrain ourselves from excessive savoring, to accommodate the rapid 2-sip custom. However, despite their strong competitive scoring, their dog treats are always scraps of cornetti (croissants). So, due to that avoidable, yet critical omission of actual heart-healthy dog treats, we moved on. Sorry Lorenzo

Outstanding K9 hospitality

Cafe Plineo, located in the river-town of Sieci, proved to be the toughest of all competitors. Their coffee is excellent; the owners are delightful; they have a pastry called an intreccio—a cinnamon braided pastry with walnuts (with an outlandish premium 10 ₵ surcharge); and they ALWAYS, ALWAYS make-over Sara and give her a wholesome dog treat just for being cute. Needless to say, Plineo won the competition “paws-down” with the warmed-up intreccio and hearty treats for sweet Sara. According to Sara, they won by a nose—which, for a dachshund is a significant point margin. 

Walter, Simone & 2021 Trophy

Congratulations to Walter (say Vall-tear) and Simone (Mario, unfortunately wasn’t there for the closing ceremony). We appreciate all that you guys do each day to make our Italian bar-hopping experience more delicious and enjoyable—also, for the heartfelt hospitality you extend to dear Sara, our poochy companion. She appreciates your attention to the moon and back.

So, Dear Readers, if you ever find yourself near the small town of Sieci, along the Arno river, you must stop at Plineo for a taste of an incredible intreccio and where you can get a dog treat to go!

Thus ends the annual “Best Italian Bar” competition for 2021 (special pandemic edition). 

Ciao, ciao, ciao!
Cheryl, Em and Sara

You might also enjoy another doggy/bar story complete with music called “Isabella“—written in 2013 about our other previous Italian Doxy companion.

There’s an old saying about Tuscan wines—a Chianti wine you want in front of you at the table. A Pomino wine you must keep by your side—so special, it’s to be reserved for just the right moment.

Pomino

While hiking on a crisp, clear spring morning in the Pratomagno hills of Tuscany, we came upon a valley view that drew us deeper into the Frescobaldi family history. Pomino (which means little apple) is a small town tucked away in the Tuscan Hills that surround the beautiful Renaissance city of Florence, Italy. In 1716, the Grand Duke Cosimo III de’ Medici identified the four most highly prized territories of Tuscany for the production of wines. Today, not many know about the intimate burg of just over 200 people, but they certainly know of the famous wine that’s produced there—Pomino Bianco. The town’s elevation is some 600 meters above sea level, where white grapes grow best, so that’s the specialty in that small region. Pomino and its renowned wines are a relatively small part of the historic Marchesi de Frescobaldi estate, which has remained a family operation for over 30 generations and 700 years.

Castello Pomino

Clearly we are not wine experts, but we are compulsively drawn to the serenity, beauty and history of Tuscan culture. Surrounding the ancient Castello Pomino, lay an incredibly lush valley of vineyards. The castle was built in the 1500s and now serves as the centerpiece for that unique wine-making territory. The owners refer to the area as: “Elegance and femininity. A hidden gem that’s revealed among the woods of the Florentine mountains.” Irresistible!

The Frescobaldi family made wines that were well known throughout Europe. They socialized with the likes of artists, such as Donatello, Michelozzo Michelozzi, and Filippo Brunelleschi. Most Florentines will tell you that their city, although cosmopolitan, actually enjoys a “small town” feel. Everybody seems to know everybody else. So it’s no surprise to learn that Frescobaldi furnished wines to the well known locals, and further afield to the Papal Court in Rome. After all, at the World’s Fair of 1873 in Vienna, the wines of Pomino won coveted awards, and in 1878 took the gold medal at the World’s Fair in Paris, the highest international recognition of its time.

Splash of white wine

You might say that our story is similar to a Pomino wine—you want to save it until just the right moment. We find ourselves reminiscing about those beautiful treks through the rolling Tuscan hills. Now, some 10 years after that quiet hike in the Pratomagno, we decided it was the right time to “uncork this story.” Ahh, breathe in the distinct magic of the elixir! We savor every sip of those memories and hope you too become a bit intoxicated by the romance of it all.

Related stories and music

Tuscan Hills

You might also enjoy another story about inspiration in the Pratomagno mountains called Nipozzano Castle—have a look! And just to get you in the mood for a hypnotic Tuscan adventure, below is our song called “Tuscan Hills” written in 2003. Enjoy!

Gallery

This is a short story with a long, happy ending.

Sometimes, we want something to happen so badly, that we will do just about anything humanly possible to make it so. But, no matter how hard we try, plan and anticipate, it seems that we just can’t force a yield. NOPE. Not happening. 

Then, in that final minute, we wonder whether trying one last time might be the magical push that will work—or maybe just one more try after that? Perhaps another?

Let’s face it. It seems that it would be a cryin’ shame if we gave up just one moment too soon. Then, how do we know when to stop? A reasonable person would understand how to decide that tricky question. But, are WE reasonable? Sometimes, we’re NOT!

Voila!

So, here’s the deal. All we wanted to do was create a little one-room studio apartment in Italy. That sounds so romantic, yet easy enough. Then the twelve months project turned into four grueling years, and we were on the verge of giving up—calling it quits—surrendering to the powers that be—bowing to the bureaucracy—admitting defeat. Then, Voila! One last gut-wrenching try turned our building dirge into a victory dance. Ahhhh!

What we learned was this: there is no real answer to the question of when to let go. The dilemma is always “of the moment.” It can’t be graphed, outlined, critical-pathed or magic-8 balled ahead of time. We’ll quit when we quit . . . or not. Perhaps we might muster an ounce of courage and effort in the last seconds of trying. Give it one more go. When that final push results in success, we are reminded to NEVER GIVE UP! This may be a fool’s lesson, but we’ll take it. ALWAYS try one more time! TRUST in yourself and the process—there could be magic just around the corner!

We invite you to read our BACK STORY—called “Meeting the Notaio.” It’s the story with a happy ending, no matter what trials and tribulations are encountered.

Color us sad.

We were born right smack-dab in the middle of the 20th century. Our entire lives have been full of national middle-class possibility. The Great American Dream was truly achievable, if not expected. The idea was so ingrained in us that we never thought consciously about it. Hard work was the key. As Americans, ideals were at our fingertips—the promise of equal opportunity for all, freedom, prosperity and justice. Right? We fully understood the power of that promise and took full advantage of our privilege. Privilege. Back then, we had no idea that being white had anything to do with anything. But now, we clearly understand that isn’t true. As most “people of color” would say at that time, those years may have seemed more like an American nightmare.

The President of the US at the time was Harry Truman, who signed an Executive Order calling for military integration of races in 1948. Shortly after that, in 1954 the Supreme Court declared an end to Jim Crow laws that allowed separate schools for black and white students. That seminal case, Brown v. The Board of Education, signaled the beginning of the end of state-sponsored segregation. 

The famous, Ben’s Chili Bowl

So we were born into the era of desegregation—at least that was our assumption. Seventy-three years later we caught a first-hand glimpse into a different perspective, through a virtual reality documentary film, “Traveling While Black.” The Canadian/American film was directed by Roger Ross Williams and released in 2019. It was both shocking and powerful for us. The film was set in Ben’s Chili Bowl, a well-known diner in Washington DC. Through the magic of 3-D headsets, we sat virtually with three African-American people in a 4 person booth, listening as they talked about their experience as traveling citizens. It seemed so realistic. Clearly, we had lived in different times, places and cultures. The truth is, we were fellow Americans, but to those people of color, we were inhabitants of totally different countries on opposite sides of the earth. What they said was disturbing and deeply sad.

1940 edition

In 1936, during the era of Jim Crow laws mandating segregation, New York City mailman Victor Hugo Green wrote the “Green Book” to help those of color navigate the hostile and often dangerous American highways and byways. The automobile generally symbolized freedom and made leisure travel possible. Disturbed with “separate, but unequal” public transportation, African-Americans bought cars, if they could, to gain some degree of control over their lives. But even though they could travel, they were often met with a hostile experience—routinely denied access to motels, restrooms, diners, and all other necessities while on the road. The “Green Book” became an essential guide to avoid “discomfort, discrimination, segregation and insult,” as George Schuyler wrote in 1930. It truly was a stressful period in American history where unconscionable discrimination was openly enforced until 1965 when many of the laws were finally overturned. But that certainly wasn’t the end of disdain and discrimination.

Tamir Rice 2002 -2014

Samaria Rice, mother of Tamir Rice sat across the table from us at Ben’s Chili Bar, recounting the details of the tragic day when her son died. Everyone in the diner respectfully turned to listen—you could have heard a pin drop. On November 22, 2014 a 12-year-old African-American boy, full of promise, was killed in Cleveland, Ohio. A  26-year-old white policeman, Timothy Loehmann, was the on-duty officer that day. Rice was carrying a replica toy gun which was all the reason Officer Loehmann needed to justify shooting him. The event happened in the blink of an eye. The squad car pulled alongside Tamir, who visibly shrugged his shoulders. In the police camera footage that’s all we saw. But Loehmann responded to the shrug with gunshots. Tamir died the following day. 

Samaria Rice recounting the tragic events

Our experience that afternoon in the Chili Bowl was terribly uncomfortable, as we sat there alongside the community of color. We were riveted to every word painfully shared by Samaria Rice. All eyes were focused on her and also on us, her booth-mates and the only white people in the room. They looked to us for minute indications of shock, sadness, empathy, solidarity—humanity. Whether traveling across our country or even within their own neighborhoods, people of color have told similar heart-wrenching accounts. Tamir’s story is but one sad tale of events—amid countless insults and injury over centuries. We hope that the “regulars” at Ben’s Chili Bowl who were peering into our faces, saw the empathy and humanity they longed to see.

The hope for shared humanity was the overarching message in the “movie. “The “Green Book” remains an important historic reminder that change and promise may be slow in coming, but they are always possible. We must believe that—and make it so.

 

Related Story and Music


End of the Line,” written in 2005 also explores the importance of moving beyond a dualistic world-view to become more accepting of differences; less focused on division; interested in breaking down barriers—simply more inclusive. Feel free to check it out if you’re so inclined.

There’s nothing quite like a good friend!

Best friend Emelee

The saying goes that all you really need in this life is love, a therapist and a good friend, not necessarily in that order, or even all of them at the same time. The “Big Three.” It’s dynamic. For us the love can be a person, a thing or an activity; the therapist can be a religious leader, counselor or healer; and the friend can be a spouse, family member, acquaintance or a beloved pet. In fact, the best of times is when love, the therapist and the friend ARE experienced, all three together. And once in a great while, it’s possible to have all three wrapped into one—for example, in the form of that special little dog. She can be a trusted confidant, someone who will never disclose a single word you’ve said. She can deliver fur therapy that dries the most mournful tears. She might follow every step you make, mirroring the very essence of friendship. To imagine Life without the “Big Three” is to ask the question: How long can you hold your breath under water?

Not that long.

Flame of Friendship

Our morning walk/exercise takes us by a beautiful sculpture that always makes us smile. The name is “Flame of Friendship” by the famous Mexican artist/sculptor Leonardo Nierman, located between the Marina and the Convention Center in San Diego. It was dedicated in 2000 as an expression of the warm friendship that exists between the US and Mexico—a centuries-old partnership, an intertwining of cultures, faiths and the very definitions of the two countries.

Friendship is a fundamental human need that finds expression at many levels: personal, interpersonal, cultural and national, creating bonds that we might literally guard with our very lives. Why? Because our humanity depends on them. We share a fundamental human need for warmth and connection. May the Flame of Friendship! burn ever more brightly.

Gallery

You might be interested in few other stories and songs about different expressions of friendship that have been meaningful for us over the years. Following are three musical stories that begin painting a picture of what friendship/love can look like in the everyday and how simple actions can instantly plumb the depths of feeling, emotion and life itself.

Musical Stories

Finally Friends

Circle of Trust

Helping Hand

Family Ties