While going through some old files recently, we came across a story that had long been tucked away. In 2008, Cheryl wrote an original story,  the “Big Green Chair.” It is a memory of her kindergarten year, so circa 1956. She was tasked with taking care of herself while her parents juggled work and family needs. Alone for countless hours each weekday, she filled the time with creative imaginings, reading the encyclopedia, and generally entertaining herself. She developed a  child’s sense of humor, while pretending and observing her surroundings, as well as exploring her inner world. The result was that she became self-sufficient, maybe even too much so at such a tender age. Following is that story exactly as she recounted those solitary days as a little girl on Burton Road in Middletown Ohio.

The Original Story

I was a “latchkey” kid before the phrase was coined, but with one important difference: I was never alone. My mom folded boxes at the local corrugated paper company. Because she wanted to be home with the family in the evenings and to see us off to school each morning, she opted for the night shift. In the mornings, after bowls of oatmeal, and lunches were packed, she faithfully stood at the door and we went on our way.

Each day I’d return home around mid-day. The school bus driver had Mom’s strict orders to watch me until I passed through our front door.  Once inside, I locked the door and stood silently, listening for the familiar sound of my mother’s soft and steady breathing. She was a “gentle” sleeper and it was nice to know she was there.

At times I watched cartoons, without sound, to be quiet. Sometimes I lay upside-down in my huge chair and extended my legs upward and pretended to walk on the ceiling, defying gravity. Other times I looked at pictures in the encyclopedia. Still other times, I napped, tuckered out from a hard morning at school.

Later, when my dad came home from the City Water Works, the house would buzz with noise and chatter. But in the meantime, many hours were whiled away in that chair, a giant gentle hand that held me when everyone was away.  There, nestled in the warmth of my big green chair, I learned about the world and about myself. Within the silence of my own thoughts I grew up imagining that anything was possible.

Written from memory, 1-30-08

You can also visit the our musical story page here, which was written and first published some months later in 2008.

Music

Audio Player

Lyrics

Half a day is passed at school
Then I’m home by noon, it’s time to play

Mama worked hard yesterday
Now she’s sleeping late
So I won’t make a sound

I’ll grab a bite to eat
Prop up both my feet
Settle back into the big green chair

After lunch I read a book
Switch on TV to look
Cartoons fill the screen

Throw my legs upon the back
Swing my hair this way and that
Now my whole world is turned upside down

Without a single care
You could always find me there
Nestled deep into my big green chair

I notice that I’m wearing mismatched socks
Volume D has pictures of each different kind of dog
My purple Kool-Aid stain moustache is finally wearing off
What a shame

Now it’s getting close to four
Soon bursting through the door
My brother comes in

With my sister close behind
They both laugh to find me there
Kind of dozing in my big green chair

Then Mama’s at the stove
And Daddy has just come home
Glad to see them, I jump from my green chair
All together we’re finally
Home again

Credits

From After All, track released September 1, 2008
Cheryl Martlage – Lyrics, vocals and production
Emerson Martlage – Music, guitar, vocals and production
Mr Toad’s San Francisco – Mastering
The Tibbs Family – Inspiration
Images – Gemini

We often set our sites on going somewhere “interesting,” or doing something “meaningful.” Those things definitely happen, but what we’ve discovered time and again is that there’s always an unexpected happening that shows-up along the way that we call the “quiet story.” And it’s the quiet one that usually stays with us and means the most.

Dario Cecchini

On a beautiful day in Tuscany, we decided to drive an hour south of Florence to the small town of Panzano for lunch at the restaurant, Officina della Bistecca (workshop of the steak). The owner is Dario Cecchini, who has earned the reputation of being the most famous butcher in all of Italy. That’s quite a statement. He’s been included in some American cookbooks, is known throughout Italy and is a living legend. He’s tall, confident and out-going. His staff has been well trained in the sweet art of conviviality (cheerful and attentive). Dario has such a large personality that when he enters the room, everyone is immediately drawn to him. But here’s the thing—he’s a really nice, caring and generous man and it doesn’t take long to realize that.

Josh, Italian dreaming

We went to the Officina because we knew somebody who had taken an apprenticeship with Dario. Josh held a dream to study the fine art of butchery. Circumstances led him straight to Dario. He wasn’t alone. There were 4-5 apprentices there, from the four corners of the earth. Dario had said “yes” to each of them. He said “yes” to helping them follow their dreams. Josh was smitten with Italy and the Italian people, and rightly so. The only thing better than holding a dream is having it come true and it was happening right before our eyes.

As we sat watching the drama of the moment, Dario quietly stole away from the cheering diners to embrace and nuzzle the face of his older brother Stefano. I don’t think anybody noticed besides us. We relish an endearing expression of affection. After all, what we enjoy most is the quiet story.

Related Video

This short video will give you a glimpse into Dario Cecchini’s world. Going to Panzano is one of those experiences you’ll never forget. When you get to the part where Dario is holding up a bistecca In each hand he is proclaiming that “To beef or not to beef, that is the question.” The crowd roars with approval!

The real thing

The name Bird-of-Paradise, although originally intended for an exotic bird, is also the popular name of a beautiful flowering plant. After all, the flowers bear a striking resemblance to the bird’s colorful plumage and the shape of its beak. First observed in New Guinea by Europeans in 1522, the bird’s unforgettable appearance spawned myths of having arrived directly from heaven. As a result, the storied fowl became synonymous with power and wealth. Eventually the bird achieved peak status as the National symbol for Papua New Guinea representing freedom and independence.

In contrast, the flower by the same name hails from South Africa, growing wild along the coast and river banks. You might say they are “normal” there. However, in 1773, along came Sir Joseph Banks, a Botanist who recognized the flora as extraordinary, and took the treasured plant back to his home in England, placing his prized specimen in the Royal Botanic Gardens. Due to the striking resemblance between the flower and the bird, the borrowed name “Bird of Paradise” stuck and became the common moniker that followed the exotic plant as it migrated into every warm, frost-free climate around the world.

The incredible Twin

That brings us and our story to one of those warm climates some 250 years later. We were walking in downtown San Diego the other day, as part of our daily routine to a favorite coffee shop. We passed apartments and condos along the way, and by chance, came upon a couple photographing a particular flower (He was apparently the designated photographer while she provided the necessary narrative). There in a flowerbed outside their condo stood one of those gorgeous “bird/plants,” strutting its stuff. We paused to watch as she circled the bloom, swooning and describing its unique qualities. Evidently, what we were looking at was no ordinary “bird-flower.” This one boasted two opposing “beaky things” rather than just one. She declared the anomaly to be a “twin,” and excitedly proclaimed its virtues. This phenomenon of “twin beaks” may or may not be rare, but she was quite taken with it and so we chose to accept her narrative.

For us, this chance encounter with the enamored couple and their flowering Bird was a classic moment where a variety of interesting details came swooping together. A coincidence? A serendipity? Who can say?

In this curious age of AI and “created” reality everywhere we look, we intuitively stopped to briefly connect with real life. We were reminded that there are flashes of sweetness all around us all of the time, we just need to stop and notice. Sometimes we get distracted with “Breaking News,” politics, and world events that are overwhelming. Yet, on a regular Monday morning walk, out of nowhere, various snippets of life from hundreds of years swirled together into a magical encounter. We experienced a heavenly Bird of Paradise that metaphorically flew down and landed at our feet.

Note: The famous Papua New Guinea National Flag with the Golden Bird of Paradise representing freedom and emergence, and the five stars representing the Southern Cross—their proud Pacific location and cooperation with the other Pacific Nations.

Papua New Guinea Flag

Related Story

Monarchs Rule

The Unexpected

Today, an unexpected guest arrived at our home. On a beautiful sunny, cloudless June day in San Diego, something amazing happened. Following our lunch on the patio, we left the door wide open to let outside breezes in. Suddenly, there was a fluttering—a shadowy silhouette against the stark white ceiling.

This quote is from the Lyrics of the musical story called Follow the Leader.” We all participate in the spectacle of the showman at one time or another whether we know it or not—for good or sometimes not.  Just click the link above and you’ll be whisked away to the original story, music, lyrics and more.

Follow the Leader

 

This quote comes from the lyrics of the song calledLittle Things.” Can you remember that last moment that crept up on you and you laughed so hard that you experienced rare tears of joy? What was it that brought about such a powerful visceral response? Buried within that moment is a treasure-trove of information about some part of you. Aren’t we all puzzles, piecing together the aspects of who we are? Take a look inside—there may be a surprise awaiting.

Related Story

Yesterday Me

Understanding the origin of tears can take a little digging. Do I cry because a tender moment surfaces from my memory bank ? Maybe a secret longing has awakened and it leaps into my throat. Are my tears ones of joy or sadness? Perhaps the source can’t quite be found or articulated. These lyrics were penned years ago in a story called Yesterday Me.” Although the words weren’t written yesterday, the sentiment persists.

Recently, I read a post online about nature and the relationship between birds and branches. The pondering was simple. Yet the thoughts went deeper. The pondering/wondering went something like this: When a bird nears a branch, does she anticipate the branch’s ability to hold her or does she land without calculating the branch’s strength, but rather trust her ability to fly?

Trampoline trust

Since reading the post, I’ve been observing birds more closely. The day before yesterday I saw several birds actually using thin branches in a pretty elaborate and playful “dance.” One landed while the others fluttered. A second one landed and the one on the branch immediately  sprang into the air. They resembled trampoline acrobats, engaged in a fascinating synchronized routine. I watched them for several minutes as they continued to create variations of that same pattern. Was it a mating ritual? Was it some form of bird zoomies after the rain? All I can say is that none of the birds seemed concerned about the strength of the branch, even with all of the bouncing. 

Birds trusting the dance

So for me, the post/riddle seems to have been answered. It appeared as if the birds trusted in their ability to land or take flight at just the right moment. Their self-trust allowed them the opportunity to touch and fly, touch and fly. This very practiced routine continued for several minutes. Then suddenly the birds abandoned the swaying branch and flew away. I didn’t see any movement nearby, so I don’t know if they continued their dance on another close-by branch. I pondered their activity and then shifted my focus to humans in relationship with one another. Do we mimic the dance of the birds? Do we decide about whether or not to trust our abilities or do we calculate the strength of the branch? 

At any point in time we could ask ourselves: Am I the bird? Or am I the branch? Is my confidence in myself or do I rely on something to support me? And if I am the branch, who counts on me to be strong enough to hold them? Does holding them keep them from flying or give them a springboard? Is this a mutually beneficial dance we’ve created?

Related Musical Story

Circle of Trust

Circle of Trust: This story is about a relationship of trust for us, that plays out around a campfire instead of on a tree branch. There is a similarity between our flitting exchange of conversation and the playful dance of the birds. Just click the title above to go directly to the story, or have a quick listen-in to the accompanying music below.

Pondering recently about the word adventure, we landed on a slight modification: the addventure. As we step out into the world each day, we have the ability to add something meaningful to enhance our experience or not. Yet, we know that even if we opt to let something pass, that still creates an impact—just a lost opportunity. It just lacks intention. The choice is really whether we make an intentional addition or a deliberate withholding to the world around us.

Step by step

Just getting out of bed each day is the start of a never-before-lived add-venture. Even with iron-clad plans, we acknowledge that they may or may not come to fruition as we imagined. To underscore the serendipitous nature of Life, we like to say, “make a plan, change a plan.  With that simple phrase, (and a chuckle) we remind ourselves that Life is incredibly dynamic, and admit that we really have no idea what might happen next.

Yet, we accept the “universal dare” each morning by placing a toe on the floor. Then the day begins unfolding, one step at a time. Armed with the power of personal observation, conversation and exchange of ideas, we venture out into the day with high hopes. Within every fresh new choice, we invite potential along with those illusive and unpredictable upsides and downsides. We imagine that we’re seasoned risk-takers, adaptability experts, or even survival specialists, and in some ways we are.

Jump on!

Helen Keller is well known for her quote: Life is either a daring adventure or nothing at all.” Well, if those are the only two choices, we’ve opted for the daring adventure. Just by adopting that attitude, we’re presented with revolving opportunities that we can grab or simply wait for the next one to come around, we alone decide—like kids choosing when to leap onto the spinning merry-go-round, or climbing to the top of the slide. We can climb on or jump off simply on a whim. We ask permission from no one as it’s entirely up to us. Now that’s spontaneous daring! That’s adventure in motion!  We’re beginning to realize the importance of life lessons learned on the playground.

All things imaginable and more appear before us as we spin around and around and around within this crazy add-venture. It’s a dizzying idea. Even when we think we’re standing still, we’re still, moving. It’s a swirling, twirling existence. You can almost hear the clock ticking off the countless possibilities as our Life spins around us minute-by-minute, all in the course of a day. 

Wishing you the best on your fast-paced, personal daring adventure!

Related Music

Create your day

Below is the song we just finished called “Course of a Day” dedicated to the idea of a daily add-venture of creating whatever you want—or not. Mix the colors and invent a hue that’s never been seen before. It’ your choice. You can also go directly to the music page where you’ll find the entire album called “Hold to the Heart.

Another Related Musical Story

Once we’ve chosen what to “hold to the heart,” the playful, spontaneous fun begins. This Musical Story called “Swinging Statues,” speaks to the childlike innocence that emerges when we let go of inhibitions and spin ourselves into an exciting and always surprising future.

Henri in his studio

His full name is Henri Marie Raymond de Toulouse-Lautrec-Montfa, but most of us know him simply as Toulouse-Lautrec. He was an artist known for his renditions of the life he lived and observed, as well as for his diminutive stature. Due to a genetic weakness that rendered his bones brittle and vulnerable, he unfortunately broke both legs when he was a young boy. The result was a disturbing stunted appearance. Ever self-conscious about his physical imperfections, he found himself most at home with common people who had their own obvious flaws. He was especially drawn to the fascinating theatrical lifestyle of Paris in the late 19th century, even though, as his hyphenated name suggests, his family had deep aristocratic roots.

Playful self portrait

Toulouse-Lautrec became a famed artist, printmaker, master caricaturist, draughtsman and illustrator during his short life (1864 to 1901). He was also a gourmet food lover who invited his guests to dine with him via formal, artistic invitations. He even described the anticipated menu and commented that a meal was very similar to any other artistic expression—full of color, in both the foods and the guests. Meals and people were meant to be savored and shared. He often directed conversation to inspire lively exchanges.

Can-can dancers

Lautrec’s many associations in the vibrant milieu of Paris’ Montmartre district allowed him simultaneous front row and backstage views of that world of wonderfully “imperfect people,” like him. He was deeply immersed in the imagery of decadence—empathizing with the every-day plight of the working-class characters swirling around him, performing in the theaters. The famous Moulin Rouge (Red Mill) drew boisterous crowds, Lautrec interpreted them to be willing subjects, part of the “show.” The frenetic energy of the “can-can” invigorated the audience. Brothels of the area added to the attitude of decadence and pleasure. Lautrec enjoyed all of it, leaving a colorful, artistic “journal” for us to understand and appreciate his contribution to a rapidly evolving world of art. Although Lautrec enjoyed success and notoriety while he lived, he was destined to succumb to his circumstances and choices. An illness abruptly ended his life when he was merely 37 years old.

Ospedale

We think Toulouse-Lautrec would have found this exhibit to be the perfect expression of his artistic flair, since it was such a unique presentation. The historic corridors of the space were transformed into Parisian passageways that transported us back in time. Anchoring one side of the Piazza Santissima Annunziata, the beautiful RenaissanceOspedale degli Innocenti” was the perfect choice for the exhibition. The 1419 architectural masterpiece was conceived by Fillipo Brunelleschi as a Children’s Hospital and Orphanage to support and care for the children abandoned during the Florentine Renaissance. (Brunelleschi also designed the famous dome of Florence’s grand cathedral—il Duomo.) The contrast of the exquisite historical building with Lautrec’s avant-garde style accentuated both.

Seeing 19th century art with 21st century eyes has become “normal,” yet to have that experience in a 600 year old architectural gem seems almost miraculous.

Stock Photo

Coming back outside into the brilliant Florentine sunshine, after having spent a 90 minute immersion into the late 19th century underbelly of Parisian cabaret life was a bit shocking and overwhelming. We had just glimpsed inside the life and mind of one of the world’s most influential artists of the late 1800s.

Following is a video of a “passageway experience” within the exhibit, along with a few amateur snapshots of his masterful work. Notice how accurately he captured the essence of a complex personality with a single, delicate line of the face, the audacious glint of an eye, or the subtle slant of an expressive black hat—absolutely fantastic!

Passageway Video

Cabaret Video

Gallery

New and fast friends

“How did you two meet?”

This is an age-old question, often used to jump-start a conversation.

“We met in a class, freshman year at college.”

“We met online, in a dating website.”

“We met through mutual friends.”

“We were “fixed up” by a well-meaning friend who knew someone seemingly “perfect” for me. 

“We sat down on opposite ends of a sofa at a party and just started talking.”

“We literally bumped into one another at a concert.”

“We met at a coffee shop one morning, standing in line.”

“We both took our dogs to the park one day and they wanted to greet each other”

However the first encounter happened, it’s still something of a miracle given all the random possibilities. The fact that two people meet and really connect with one another is an amazing phenomenon. We were reminded of that recently when a friend “clicked” with someone, seemingly out-of-the-blue and they’ve been inseparable since.

Keys to a heart

He swiped right, She swiped right. They met for tea. Then they met for lunch. Then dinner. Once the “interest seed” was planted, the relationship blossomed. They discovered common values, preferences and humor. It rapidly went from being a possibility to being “something.” They’d each hoped to find a “significant other” and cautiously began an earnest search—romantic details as well as practical considerations were clearly in mind. She wanted X characteristics and he wanted Y. Each was determined to find a kindred heart to unlock.

Hidden treasure

Each was primed and felt determined to find the exact person who would match their descriptions. What were the chances? 50/50? Daunting? One in a million? Our friends took a deep dive into the proverbial haystack and re-emerged with a prize—the ever-elusive needle. Sometimes fate steps in and treasures can be found. Dreams can become reality and love grows, however unlikely it may seem.

Don’t you just love happy endings?

Music—Meant to Be

Related Music and Story—The First Time We Met

You can also find a collection of songs/stories about soulful relationships written over several decades of an evolving partnership, in the album called “Love Stories.”