These are stories about those places that are noteworthy either as public attractions, or perhaps even quiet personal places that make a difference in people’s lives. They are the places that give us energy, sustenance and reflective moments that help us to live richer lives.

Whimsy On The Lawn

by cheryl & emerson on February 6, 2021February 25, 2021

Niki de Saint Phalle was a French-American artist/sculptor, born near Paris in 1930, and died in San Diego, California in 2002. She was a pioneer and celebrated the world over in feminist and monumental art. During the later years of her life she lived in San Diego, where there are many sculptural masterpieces that can be found throughout the area. If you aren’t already familiar with her work, please allow us to introduce you to Niki by way of this digital “tour” of her incredible legacy—culminating in her magical “Tarot Garden” in Tuscany, Italy. Shall we begin? Please follow us!

Mingei International Museum—San Diego

Balboa Park is legendary in San Diego.

It’s composed of 1200 beautiful rolling acres of urban green space. Several museums, gardens, theaters, and an outdoor amphitheater. Located on El Prado, in the heart of the park is the Mingei International Museum. Outside the entrance is Niki’s “Nikigator—a large lizard-like form made of colorful mosaics and mirrored pieces, inviting children to climb and explore the art from every possible angle. The materials, style and spirit of the sculpture is classic Niki, as we will see throughout this tour. Sit back, spark your imagination and enjoy!

Poet and Muse—San Diego

The second sculpture just outside the Mingei museum is called “Poet and Muse,” completed in 1998. This is a two figure piece, featuring a female angel or muse perched atop a male figure. The angel is a favorite motif that Niki uses again and again in her works to represent “feminine energy,” or unbounded creativity. The male form is a bit more buttoned-up in a suit, orange shirt and finished with a red tie.

We wonder if Niki was inspired by Rodin‘s Poet and Muse sculpture by the same name. Perhaps. Rodin also used the female figure as a muse, hovering over a male poet. But, Rodin‘s sculpture created around 1900 is a monochromatic, realisitic, serious carved marble statue, while Niki’s is bright, whimsical, and colorful, with shimmering mosaics. She always enjoyed making her art controversial and certainly used techniques that were unique to her, that others seemingly dared not do. Perhaps Niki was a bit of an idealistic artist contrarian.

Museum of Contemporary Art—La Jolla

Thirteen miles up the coast is La Jolla Village, where more Niki sculpture lives. Although it’s technically located “in the museum,” it’s actually in the garden area behind the museum which makes it easily accessible, as well as free! The first thing you’ll notice about this piece is that there are no mosaics. Big Ganesh is smooth and painted to be compatible with the previous Niki style, but is made of fiberglass instead—a technique that Niki used for many of her later works.

Ganesh(a) is one of the best known gods in Hinduism and is the remover of obstacles. Ganesh is depicted as having a human form, but with the trunk of an elephant, Traditionally, riding on a lowly mouse. Here, the mouse has gained independence and is actually standing alongside Ganesh—a companion in equal standing—the much preferred Niki interpretation

Sun God—University of California San Diego

Perched atop a topiary hedge, Sun God watches over a peaceful grassy area on the UCSD campus. Installed in 1983, it was Niki’s first outdoor commission in the US. The fourteen-foot bird is made of painted fiberglass and is carefully hidden from view within the greenery.

The Sun God is a deity celebrated in many myths and religions. In Hindu, it’s a Bird God, while Helios (Sun God) was the Greek version. Perhaps Niki’s Sun God blends these two entities into one magnificent creature.

In July, 2016, Sun God received a “make-over.” Restorers removed the original paint down to its base layer. The paint had suffered cracking due to its proximity to the ocean. After removing the surface damage and sanding the base coat, the sculpture received fresh acrylic paint. Finally, clear coats were added to seal out the harsh elements. The next restoration will most likely not be needed for another 20 years. We hope!

Kit Carson Park—Escondido

About 17 miles northeast of Sun God, is the town of Escondido. The park there is a delightful place for a picnic or family outing. But, in addition to being a destination, the park has the distinction of being the site of Niki‘s amazing sculpture garden—Queen Califia’s Magical Circle. It’s the last major international project that Niki created, which was completed in 2003. Nine sculptures are encircled within a serpentine wall. All of the pieces are mosaic with ceramic and mirrored tiles.

Queen Califia stands on the back of a five-legged eagle in the center of the garden. The surrounding totems include representations and symbols from many cultures, including Native American, Mexican and Pre-Colombian. As is typical of her style, Niki embraced and interpreted these cultures through her vivid imagination. The result is both fantastical and whimsical, yet always highly provocative. The playfulness of her work can sometimes hide the seriousness of her underlying messages.

Queen Califia was a warrior-queen who ruled the mythical island of California. The fictional character was invented by Spanish writer Garci Rodrigues de Montalvo around 1500. Califia’s story is the reconciliation between Islam and Christianity, probably representing the struggles between the two religions which had collided in Spain. Califia is also thought to be the preferred depiction of California, symbolizing bounty and beauty with an untamed nature.

Coming together—back in downtown San Diego

This is one of our favorite pieces. It stands majestically in a small garden, adjacent to the Convention Center on beautiful Harbor Drive. Niki’s design depicts the human challenge of integrating the opposing forces within all of us—the wholeness that comes from acknowledging the yin and yang of our existence.

The sculpture speaks to our ephemeral and delicate nature with the lacy design—almost invisible and translucent at times. The striking task she highlights is to bring the two halves of our existence together, integrating the shadow, depicted in the black and white portion of the sculpture, with the incredible bright colors reflecting the light of our limitless possibilities. The colors and contrasts on a sunny California day are awesome, much like the beauty of human form.

You may want to visit our “Behind the Scenes” story about Niki and her “Coming Together” sculpture—We call our story “Neither Black Nor White. Just click on the title.

Waterfront Park—San Diego

Three whimsical Niki sculptures grace Waterfront Park: Serpent Tree, Cat and Baseball Player, forming a trio of playful pieces that are irresistible to children and adults alike. The sculptures are on loan from Niki’s charitable foundation, but hopefully will be able to stay long term, making Waterfront Park the perfect location as their permanent home. Swing by and take a look, and maybe even play for a while!

The Tarot Garden—Tuscany, Italy

Niki discovered the incredible work of architect Antoní Gaudí in Barcelona Spain and was inspired to create her own magical park in Italy. She found a large wooded property to develop in southern Tuscany where she would design and build her fantastic creations—each year a new sculptural form emerged, peeking out above the tree-tops. This ongoing project was truly the culmination of her life’s work as an artist/sculptor.

Allow us to take you there by way of the following short video. The house you will see that’s literally built inside an enormous woman—Black Nana, as she called her, was Niki’s home where she would live while working every summer on her forever growing garden paradise. The Nana series was a favorite that Niki sculpted again and again, representing feminine energy. She created black versions, as well as white.

Notes/Credits

The mechanical sculptures shown in the Taro Garden video were done by Niki’s husband Jean Tinguely, a famous Swiss sculptor. They completed many projects together over their lifetimes.

The beautiful opening photo of Niki with a stylized snake painted on her face was first seen in the French Quarter magazine in an article called “Niki de Saint Phalle, French-American Heroine.”

Niki’s work can also be found around the world in Paris, France; Nice, France; Kiryat Hayovel Jerusalem, Israel; Stockholm, Sweden and Zurich, Switzerland. You will also find a number of artists with similar works that were influenced by her style.

Sara’s Urgent Adventure

by cheryl & emerson on January 28, 2021March 20, 2021

Welcome to an amazing episode in the continuing story of Sara, the Wonder Dachshund. Cheryl: I will tell this story as best I can from the details Em recounted as he lay on the sofa recovering from his “urgent adventure” with Sara.

Secret weapons – nose and empathetic eyes

Dogs are incredible creatures. Did you know they have about 300 million smell sensors in their noses—about 50 times more than we do, mere humans? On top of that, their brains are 40 times more capable of analyzing those smells than the big person next to them. As if that isn’t enough proof, they can also sense pain/distress and will come to your rescue, trying all their wiggly, licky tricks to comfort and console, or even just lay on you. Anything to heal and make things better. We call it fur-therapy. Now, that’s a “best friend!”

The other day, Em was experiencing his share of stress around long-overdue feedback on things like relationships, communication, negative behavior, leadership style etc.—you know, ordinary things like that. He was working at the computer when our little longhaired dachshund Sara came to his side and wanted something. He picked her up to find she was shaking uncontrollably, which was really unusual. Thinking she might desperately need to go out, he leashed her up and hurried out into the grass. She did a token tinkle, but immediately started heading east across the lawn, pulling hard like there was something urgent that needed her attention (also not like her).

The leash was taut with Em in tow. Laser-focused, she jumped the curb and jaywalked them across Union Street. She stopped, momentarily sniffing and inquisitively looking up at a man on a platform 15 feet away—but no, he was not involved in this chase. Lurching left, she ran through a parking lot where she had never been before. Leaving the lot, she sniffed out a signal and immediately took a right turn, south down the sidewalk toward the trolley tracks. Then they bolted across the tracks where Em had to literally hold her at bay while traffic cleared on Harbor Drive. When the light changed, they were off again on a tear across six traffic lanes and a median of palm trees.

Without hesitation, she jumped the curb on the other side and launched up the ramped-drive toward the Marriott entrance. Sniffing as she ran, they circled around past the entrance (thankfully they didn’t need to go inside), taking a hard right toward the loading dock. Holy Moly! Em yelled to the guard as they darted by, asking if it was okay if they passed through to the other side. He said “the guard at the end will definitely open the gate since he’s afraid of dogs,” as he laughed out loud. Em shouted-out a quick “thanks” as his hair wafted in the breeze of the loading dock wind-tunnel.

Like clockwork, the guard opened the gate as they fast approached—a perfectly orchestrated team event and they were off and running toward the promenade along the marina. Those little dachshund legs were a blur as Sara scurried and sniffed her way to some unknown destination. Em mused that this time, the leash was pulled tight enough to pluck a low Bb, like on a stand-up bass.

They then crossed the promenade where she did the most remarkable thing: she literally jumped up on the bayside retaining wall (never before had she done such an exuberant thing in her entire life), and stood there like a statue looking out over the water. Evidently, the mysterious fugitive had made a cool get-away—apparently confounding his scent amid the boats gently rocking in the bay. After a moment of determined gazing, she jumped back down onto the promenade and then retraced their exact route back home—still sniffing and pulling Em along behind her like a man obediently following his fearless leader.

Arriving at home, they went inside as if nothing unusual had just happened. Sara immediately fell asleep. Em and I puzzled over her urgent adventure, wondering what in the world it was all about. Since she can’t talk and has no opposable thumbs to write her story, it remains a mystery. Then, a possible explanation dawned on us: What if she had sensed Em’s stress about insensitivity and over-assertiveness—his “leadership crisis”? She knew he needed help. We imagined her concocting a little adventure, combining her expert sense of smell with her innate human sensitivity to teach that “old dog” a new trick?

She decided to give him a first-hand experience that he would hopefully NEVER forget: the importance of learning how to FOLLOW.

Perfect Ruins

by cheryl & emerson on January 8, 2021January 8, 2021

“Is there a more isolated house?”

It seemed a simple question to pose to two Italian realtors. Without hesitation, we soon had our answer. Almost immediately, the more practical of the pair, feisty Inga, was at the wheel, maneuvering the old Jeep up the steep terrain. Her associate, Patrizia, stunning in her white knit pants, fitted shirt and lavender scarf tied stylishly around her neck, occupied the passenger seat. As Inga revved the engine, Patrizia turned and smiled to reassure us that everything was okay. Just after we turned off of the main road, Inga immediately threw her weight into the steering wheel for a hard left and we continued a steep climb. At one point, all we could see from the back seat was the dashboard because the road was completely obscured from view, due to the car’s jolting angle. Surely, this must be the top, we thought, as the grade leveled out a bit and we found ourselves passing between enormous old vacant barns and rusted grain silos. Inga paused only momentarily, grimacing as she engaged a stubborn gear, and then yanked the steering wheel hard to the right and away we went into the woods.

Surprised, we continued to climb up the rugged hillside, while brush and bushes slapped both sides of the Jeep. Rocks rolled down the hill while others crunched beneath the spinning tires as we bounced and jostled our way along. We felt a sudden lurch as Inga course-corrected after unintentionally dropping a tire into a huge pothole. Patrizia turned once again to offer another cautious, silent smile of reassurance. A few hundred feet further, Inga nearly stood on the brake pedal, bringing the Jeep to an abrupt halt. She then shifted into neutral, cut the engine and with a sharp tug, engaged the parking brake. Just for good measure, she kicked a large stone under the back tire. Then, as if nothing unusual had just happened, Patrizia smoothed her hair, adjusted her scarf and said with a gracious smile, “Andiamo, let’s go!” We emerged from the back seat to see—ruins. Not just something in need of minor repairs—serious ruins.

There before us, was a small, dilapidated stucco, terra cotta and stone barn with a 3-inch wide diagonal crack running from its fallen roof all the way down past its dirt floor. Near the barn stood the delicately balanced pile of stones that once was a large house, as evidenced by a remaining 10-foot high stone corner. One wall jutted up far enough to hold the crumbling remnants of an old stone window opening. The adjacent partial wall was completely overgrown with vines that had surely gone unchecked for at least—umm, maybe 100 years?

We couldn’t get too close to either the barn or the house, since brambles and weeds obstructed our way, completely covering the lower levels. We heard wild pheasants warbling in the nearby meadow. With nimble fingers, we lifted thorny branches and edged cautiously closer, remembering that in the undisturbed, abandoned parts of Tuscany there were undoubtedly many resident snakes—vipers among them—watching our every move.

We stood, staring from the ruins into the magnificent valley below. From that perch at the top of the hill we saw multiple layers of blue and gray mountains receding into the distance. Directly below us was an intimate valley in various shades of lush green vegetation. The landscape was broken with the occasional yellow stucco farmhouse, a castle tower and a couple of grand old villas. Silvery grey olive groves dotted the hillsides. Vineyards followed the contours, rolling like gentle green waves. On our far left, nestled within a distant pine grove stood a centuries-old monastery, Madonna del Sasso, with its own commanding view of the amazing valley. We were mesmerized, taking it all in, gazing into the distant past, smitten by the current breath-taking view—lovestruck.

Patrizia casually mentioned that Dante Alighieri, had a country home just down the hill in the late 1200s. She went on to say that he even penned his famous Divine Comedy while staying there. We were lost in thought. Then, after several minutes of silence, she said, “Allora, che pensate, so, what do you think?”

Her question snapped us back to reality. With a quick glance and subtle nod to each other, we answered, curiously at the same time, “Perfetto, perfect!” Inga and Patrizia locked eyes and slightly raised their eyebrows. We’re sure we heard one of them utter to the other, “Pazzi Americani, crazy Americans!” Yet, we knew better. These RUINS would be the source of our inspiration. To rebuild the fallen stone walls was the perfect metaphor we needed to begin building our own dreams.

This story is a true “Italian Moment” that took place in the spring of 2000.

Step by Step

by cheryl & emerson on December 23, 2020January 12, 2021

What has a specific beginning and end, but no origin?

The labyrinth.

Labyrinths have been discovered throughout the world for at least 4,000 years. But that doesn’t mean we know who invented the first one, or where. Was he/she as old as dirt? Who really knows? However, something timeless and mysterious seems to tie them all together as if by a grand plan, yet no obvious big plan exists. Each labyrinth is more like a symbolic representation of some primordial pattern. And, that idea seems to have been hardwired into every brain in every culture. The labyrinth represents a common shared experience of living, making a journey, meditating on the meaning of life, achieving a goal or simply following your personal path—one step at a time. It is a metaphor for life itself. Even if we don’t know the exact origin of the labyrinth, we can all agree that it’s a powerful idea that remains meaningful and fully embraced to this day.

Nobody thinks much about a labyrinth until you’re presented a mysterious and urgent need for one. They’re like that special jar-opening tool in the kitchen that you need RIGHT NOW! There must be one around here somewhere, but where is it? (freeing the stubborn lid from a jar is reminiscent of a labyrinth’s ability to ease the cross-threaded barriers to living our best life). Well, we found ourselves in need of a labyrinth one day. One of us had a vague recollection of something like that just down the street from our place. You know the feeling? You’ve seen it out of the corner of your eye, but didn’t really pay that much attention. There was something that looked more like a garden sculpture in the center of some hedges. But wait. Upon closer inspection, a bold discovery was revealed—a fantastic contemporary labyrinth “right there in our own backyard.”

“Eureka!” We found it!

Twenty-five years ago, three artists were commissioned to create a piece of sculpture to commemorate the beginning of the “Martin Luther King Jr. Promenade” in downtown San Diego. Their idea was to create a labyrinth with messages set into concrete bordering a stone path. The series of phrases prompts the meditative walker to consider the ways we can grow by “shedding” that which is limiting and/or no longer useful. When we shed negative attributes, we create space to “don” positive qualities. The short walk culminates at an incredible bronze tower, apparently built from transformed scraps of metal, which may symbolize that “shedding/donning” process—soaring upward into the beautiful blue Southern California sky. The sculpture is impressive yet unfinished—much like our own life’s work. True transformation seems to require examining the negative to glean the positive. Which is the dismantling and which is the building? Hmm. Perhaps they’re one and the same.

In either case, there’s definitely important solitary work to be done . . . one step at a time!

Labyrinth Messages

Stepping into the labyrinth, there’s a concrete border on each side of the gravel path. Alternating from one side to the other as you walk are messages engraved in the borders—with “shedding” on one side and “Donning” on the other, as follows:

Shedding the cloak of Oppression”—”Donning the cloak of Reconciliation”
Shedding the cloak of Fear—Donning the cloak of Trust
Shedding the cloak of Prejudice—Donning the cloak of Respect
Shedding the cloak of Malice—Donning the cloak of Compassion
Shedding the cloak of Bitterness—Donning the cloak of Forgiveness
Shedding the cloak of Despair—Donning the cloak of Hope
Shedding the cloak of Weariness—Donning the cloak of Courage
Shedding the cloak of Ignorance—Donning the cloak of Wisdom
Shedding the cloak of Darkness—Donning the cloak of Light

Gallery

Implementing Honor

by cheryl & emerson on October 18, 2019January 12, 2021

The farmers of Tuscany have faithfully tended this rocky Italian soil for many hundreds of years—even millennia. Perhaps that seems like an over-statement, but it’s true. The name Tuscany actually derives from the earliest settlers of the region in pre-Roman times, namely the Etruscans. They developed an advanced culture and were known for their peaceful nature. They created transportation systems, mining, art, and of course agriculture. Masters at working the land, their adept hands were the first to fell the trees and pull countless stones from the terra firma. That was 900 BC, which makes for nearly 3000 years of commitment to the land, as of this writing.

When we first came to Tuscany in the year 2000, we were captivated by the natural beauty. But, even more, we were mesmerized by the impeccable instinct to “design with nature.” Especially in the countryside, the villas, landscaping, colors, materials, the reflection of the sun, all worked together to create this seamless tapestry called Tuscany. We were fortunate enough to find our own piece of that landscape. From our simple hillside farmhouse, overlooking the valley, we’ve developed a deep appreciation as well as an obligation to maintain and preserve that which has come before us—for those who will come after.

The name of our farmhouse, which we share with two other Italian families, is Casale Pretena, which simply means, Pretena Farmhouse. But, there’s a twist. It turns out that the name isn’t exactly Italian, and that Pretena is most likely an Etruscan word that has been handed down through the generations. The local lore suggests that this land may very well have been part of an Etruscan settlement on the outskirts of the nearby famous Etruscan town of Fiesole, just three miles down the road. Many generations of farmers who tended this land over the centuries left their indelible mark and name. Just imagine: countless families were raised here; animals provided sustenance; healthy crops fed the young families and animals. Surely artists and artisans were among the early inhabitants, facing life’s many day-to-day challenges. Doubtless, tragedies occurred. but the hard-working people persevered. Because they did, we consider this a sacred site, where that collective soulful energy is still felt today.

Indeed, this place has always been special to us, and we’re humbled by the opportunity to momentarily “tend the soil” in that long line of caretakers. We decided to use the beautiful garden as a canvas of sorts, to honor the memory of those families who came before. As a symbol of their labor, we have planted various ancient farming implements throughout the garden. These are tools that were essential to their lives—held in their hands. Each iron piece peeks out from the lush greenery to remind us that, ” This sacred place belongs to all of us. Take good care!”

Music

We wrote this song 20 years ago when we first found Pretena , conjuring the magic and mystery that surrounds this place. After all these years, this land continues to provide awe and inspiration for us! If you want to read the original story along with the lyrics, you can find them by clicking this link: “My Treasured Heart.”

Photos

Following is a photo gallery of the Pretena flower garden. We don’t tend crops and animals anymore like they did over the centuries, but we have done everything we can to create a special sense of the natural beauty of the place in honor of those who preceded us.

Wild Flower Windows

by cheryl & emerson on August 10, 2019August 10, 2019

We are surrounded by vineyards of Antinori. Fortunately, they are one of the oldest wine-making families in the world and have learned quite a few things over the past 600 years. As a result, everything they do is precise, immaculate and beautiful. Perfect neighbors.

The vineyards are irresistible. They change constantly with each season, daily and even hourly. The meticulous rows mesmerize us, forming the perfect backdrop for far-off-gazing, solitary contemplation or soulful conversation. But, beyond distant admiration, it’s even better to traipse silently into them. Walking through their alluring geometry has become an important morning ritual—with dawn’s crisp air, the natural cadence of muffled footsteps, the sight of an occasional leaping deer, darting rabbits, and the sun peeking over the distant mountain ridge. Nature’s wholesome aroma gently fills my lungs to the brim. Day after day I honor the beauty of the vineyards.

This morning was even more delightful than usual. In summer, the paths surrounding the vineyards are dotted with purple wild flowers. They are hearty varietals indeed, because when I bent down to pick one for Cheryl, it was difficult to break the stem. They grow in the toughest conditions, so durability is required for survival. With persistence, I freed the tiny flower and held it close. It was even more beautiful than I expected—strong yet delicate. I carried it home as a present for my true love, like a naive schoolboy with my first girlfriend (nearly 50 years after our first encounter).

Then came the surprise. My focus on the purple flowers caused me to look closer still toward the ground-covering wildflowers. First, I saw the most colorful ones. Then, I started to see other less obvious flowers nearby. There was an obscure yellow bloom, then I noticed an unlikely tiny white-lace canopy that I had previously seen as a weed. Each blossom was now more interesting than before. I found myself standing in an abundant garden of everyday, unassuming flowers. Upon closer inspection, even the brown-red spiky thistle I always avoided became one of the most unique of the bunch. I plucked it from the dry earth, adding to my collection.

What a wonderful metaphor for life! Incredible beauty is literally everywhere. We wander obliviously through a veritable garden, side-stepping that which we haven’t yet learned to appreciate. Value appears only when we have a shift of perspective. Certainly, everything is inherently valuable. Then suddenly, we simply decide to see it.

The tiny vase of wild flowers took its rightful place at the center of our table and our lives where we could be reminded daily of simple overlooked joys—those that await an aware gaze. Our eyes open, and a tiny new panorama is freshly taken in. Exhilarating!

Ironclad

by cheryl & emerson on July 22, 2019August 10, 2019

Tuscany would not exist without iron.

Hand-wrought iron, that most elemental art form—forging endlessly creative objects from the earth’s ore, grew as civilizations needed a multitude of durable tools for agriculture, domestic chores, waging wars and simply making life more beautiful. Florence was one of the great European cities where the craft of blacksmithing made its mark on the world, growing into powerful guilds of artisans wielding an iron hand at both the anvil and the body politic.

When we first came to Italy, we were drawn to the innovative use of iron in every aspect of life. The built environment is intricately laced with the art of unseen hands—practical solutions to everyday problems. The craft completely surrounds life with nearly indestructible objects in hues from black to gray, to rusted and worn. Our imaginations were captured by the endless subtle signatures from the rhythmic taps and blows of the hammer, a tireless trail of style, strength and determination. Each blacksmith coerced and cajoled the stubborn ore into the shape of their dreams. Every visible piece of iron is a testament to the will of man over material. We too, longed to immerse ourselves in the artistry of everyday forms that characterized the ancient Tuscan culture.

As we assembled our little studio in the Tuscan Hills, we took special care to bring as much iron to the forefront as possible. For us, we could hardly get enough of the soulful stuff. Wherever the artistry of iron could be applied . . . it was. Looking back, we’re amazed at how many different places it appears, assuming its humble functional role. However, there isn’t a day that goes by without sincere appreciation for the craft. For example: a palm glides effortlessly down a smooth iron stair rail; the hand-forged latch on the door gets a quick release; an iron window grille frames the rolling hills; wrought tools are easily grasped to stoke the warming fire; there’s a familiar straight handle that opens the cantina; a decorative iron chair by the front door offers an inviting stop to tighten a shoelace; a graceful iron and glass canopy at the front entrance protects us from a sudden downpour; and daily, we enjoy an ancient fire-front shield which hangs as artwork over our Tuscan fireplace.

Countless moments of contact with the works of the artisans grace our lives each day. The Tuscan experience would not be complete without them. The very soul of this place moves within those nearly invisible, habitual iron-ore-encounters. With each simple touch or glance, we’re instantly connected to the unnamed craftsmen who helped build this magical place. Their presence is felt around us in unassuming ways, surrounding our routines like strong hands support a child. We are honored to be among those who have shared this experience—a secure form of life that’s truly “ironclad.”

Following are some images from around our house, both ancient hand-wrought and cast objects from the blacksmith’s forge. Also included are some contemporary forms inspired from the ancient craft that still carry the energy of the original art forward. We hope you enjoy them. Maybe one will inspire you to add some trusty iron into your own environment, as a reminder of the sturdy handmade world that was forged so many years ago.

Churches, Castles and Ruins, Oh My!

by cheryl & emerson on August 11, 2017September 8, 2017

The Pratomagno mountains near Florence are full of wonderful moderate hiking trails. Many of them are anelli (rings) that are relatively easy half-day treks, perfect for a cool early-morning start that finishes before the summer day heats-up. The trails wander through the dense wooded hills, crossing small villages with charming farm houses, ruins, villas, country churches and castles. Everything is picturesque so there are photo-ops at every turn.

One especially interesting circular hike is called the Borselli-Ferrano anello, where you will find the beautiful Castello di Ferrano and Chiesa di Santa Maria (1574), along with interesting country farmhouses and knock-your-socks-off panoramas that are sure to slow you down for a prolonged gander. Following are some photos we took that will give you a feel for the historic buildings, terrain and scenery.

We have written two other related stories about similar hikes, in the same area that you might want to check out: the ruins of Lavacchio and the Nippozzano castle. Both hikes, guarantee a delightful morning in nature, with significant Tuscan scenery in which to contemplate. We’re definitely not in Kansas anymore!

Window of Opportunity

by cheryl & emerson on August 10, 2017August 11, 2017

The ancient proverb “Seeing is believing” has been around since 1639, and means that only tangible evidence is truly convincing. However, living in Italy has shown us that just the opposite can also be true—”believing is seeing.” Thus begins a short tale about a window.

We live in an old Italian farmhouse in the hills north of Florence. The Italians take tradition and culture very seriously, so the look of the buildings and the landscape are guarded like gold. Construction formulas have been around seemingly forever, so details can rarely change—if ever. In a farmhouse, for example, there’s a formula for natural light-to-interior space. But there is also a formula limiting openings in exterior walls. It was not unusual to have a large blank wall, punctuated with only a single small window and a door. So if you want a second window, for more light or to balance the facade—well, that’s just too bad. There’s no way the formula can be altered. But in our case, the aesthetic sensibilities outweigh the formula. We are bothered by a large bleak, blank wall. Okay, we know that the formula was derived long ago when too many windows meant heat loss. But central heating is all the rage now, right? So what to do?

We decided that we could hang an old metal grille on the outside wall. Of course, we’d paint a soft gray border around it to suggest a typical Tuscan window, traditionally framed with pietra serena (stone). So that’s what we did. No wall was pierced in the placement of the “art” as we call it, and everything we’ve done is “temporary,” which means “removable” to the authorities. We could simply paint over our faux window one day, as if nothing ever changed. Our first try was to use wood shutters, but they didn’t weather well. So we moved on to an iron solution which would last a lifetime. Our eventual imaginary window solution was pretty doggone convincing, but we weren’t quite finished yet. No. We realized that we needed a corresponding window on the inside as well. So, we went to the nearby town of Sieci, to a Mercato di Usato (the market for old, used things), where we found a sweet little wood window with beveled glass. After cleaning and refinishing, up it went, behind the mosquito net over the bed in the guest room. Voilà!

As you can see, our collective imaginations took a slight detour when the real window was vietato (forbidden). Now, we have the window that we thought the blank wall yearned for, some 18 years later, with one little missing caveat—you can’t actually see through it. But that doesn’t really matter. We turned a “No!” into a definite “Yes!” and nobody got hurt or did anything too drastic in the process. Seeing the window is almost believing it. But for us, the notion of believing it first provided the possibility, which ultimately made artistic expression possible. We may not have an actual opening onto the nearby moody valley, but sometimes a vision is better than a view!

The Road To Lavacchio

by cheryl & emerson on July 24, 2017January 18, 2021

One might call an abandoned house a haunted ruins, but we like to think of it as a container, filled with stories just waiting to be told and retold—built and rebuilt—lived and relived.

While walking the woods and back-roads of Tuscany, it is inevitabile that you’ll come across at least one unexpected hidden gem. The other day, while hiking the Borselli-Castelnuovo anello (circle or loop) in the early hours of the morning, we found one of those ancient places called the “Houses of Lavacchio.” Not every ruins is noteworthy, but this one made us pause longer than usual as we got wrapped-up in its story—his-story (or rather, her-story, since we all know that houses are female).

Who lived there? When was it built? What were the people like and were there children playing? Why did they leave? Was it their dream to be perched up on that hillside at the top of the mountain called Pratomagno with an incredible panoramic view of the Tuscan hills beyond? Why hasn’t anyone bought it to breathe new life into those old stone walls? And so the questions and conversation continued as we walked the long and gentle road leading to the houses, imagining the past and the future of this forgotten place. It was easy to drift into fantasy amid the cool summer breezes and the tender sounds of the country—the birds, the buzzing of the bees and even a baby cinghiale (wild boar), scurrying from the underbrush along the side of the road, confused and running for cover.

The roofs of the ghostly houses were mostly long gone, now becoming great piles of splintered wood beams and clay tiles, randomly collapsed into the rooms below. Plants were growing everywhere in and around the decaying rubble, vying for their own claim on the future. Even the brick and stone walls were falling into the fray—water creeping into every vulnerable cracked mortar joint to expand with each consecutive freeze and thaw—slowly . . . oh so slowly—pushing and prying away at every weighty piece that was carefully and intentionally laid in place by strong hands. The first people of Lavacchio surely meant for their labors to last longer than their lifetimes, in fact they anticipated the houses would be there for generations to come. Actually, as true Tuscans they would have set their sights on nothing short of “forever.”

We don’t know when it was built, but the years for Lavacchio could easily be counted in the hundreds since the crumbling of the roof and walls to this point in time surely would have taken the better part of a century. We imagined that some new, vibrant, young energetic pioneers will arrive some day and be overcome with vision and the spirit of adventure. They will claim this lost artifact as their own, and return that sacred space perched on the side of the mountain to its former glory. Falling in love with the remote life, they will likely create a vegetable garden, and will perhaps tend chickens, cows, pigs, rabbits and sheep—many of which will live in the restored stalls beneath the houses. Of course a few cats and dogs will complete the picture along with a horse or two for evening rides through the wooded hillside. Life will certainly be sweet.

Until then, we will continue to enjoy our hikes and allow ourselves to fall madly in love with the thousands of romantic Tuscan possibilities, as our vivid imaginings of exciting reclamations abound. Oh, those dreams and futures that lay waiting to be discovered and recovered from beneath the rubble! This tarnished gem just happened to be along trail number 25, on the “road to Lavacchio.”